Candidates’ portfolios, at the higher level, clearly demonstrate and explain the dynamic stages of their creative process, including preparatory inquiry, practical action and meaningful reflection.
Examiner’s Report May 2017
The inspiration for the collaborative creation of the piece of theatre. A focus to the initial stages of practical exploration. The starting point must be one of the following.
- Idea, issue, question or theme
- Image or photograph
- Non-dramatic text
- Piece of music
- Street art, graphic novel or comic strip
…candidates who used the recommended subheadings presented in the theatre guide and paid attention to the 7-8 marker band descriptors and command term(s) were more organized and more successful than candidates who did not
The attribution of sources, including visuals, diagrams, plans, sketches etc. within the body of the work is still a challenge and many Collaborative Project Portfolios provided only a bibliography or list of sources, without citing sources within the body of the portfolio. This is a serious issue as not sourcing appropriately is considered academic malpractice.
Click on the video above for the National Theatre’s: Movement playlist
Improv Games https://spolingamesonline.org/games/
Improvisation For The Theater A Handbook Of Teaching And Directing Techniques by Viola SpolinPublication date 1963 https://archive.org/details/improvisationfor010408mbp
In this booklet you will find tons of improv games and handles, show formats, warm-ups, references and improv keywords. The Internet version is more fun to wander around in because of the hyperlinks in there, but we’ve done our best to organize this paper version as comfortably as possible.
Organization – This booklet is organized in 4 chapters:
- Categories: every game, exercise or handle is classified in one or more categories. The categories are listed alphabetically, and you will find an index of all games in each category following the category. A game, handle or exercise can be in more that one category.
- Games: this is the main chapter, listing all games alphabetically. For every game you will find the category/categories the game belongs in printed next to the game description.
- Keywords: a chapter that lists some important improv terms, each with a short explanation.
- References: a list of interesting people, books or websites. At the end of the booklet you will find an index of all contents.
- Bennathan, J. 2013. Making Theatre: The Frazzled Drama Teacher’s Guide to Devising. London, UK. Nick Hern Books.
- Bicât, T and Baldwin, C (eds). 2002. Devised and Collaborative Theatre: A Practical Guide. Wiltshire, UK. The Crowood Press.
- Callery, D. 2001. Through the Body: A Practical Guide to Physical Theatre. London, UK. Nick Hern Books.
- Etchells, T. 1999. Certain Fragments: Contemporary Performance and Forced Entertainment. Oxon, UK. Routledge.
- Graham, S and Hogget, S. 2009. The Frantic Assembly Book of Devising Theatre. Oxon, UK. Routledge.
- Govan, E, Nicholson, H and Normington, K. 2007. Making a Performance: Devising Histories and Contemporary Practices. Oxon, UK. Routledge.
- Harradine, D. 2009. Invisible Things: Documentation from a Devising Process. London, UK. Fevered Sleep.
- Heddon, D and Milling, J. 2006. Devising Performance: A Critical History. Hampshire, UK and New York, USA. Palgrave Macmillan.
- Lamden, G. 2000. Devising: A Handbook for Drama and Theatre Studies. London, UK. Hodder and Stoughton.
- Mermikides, A and Smart, J (eds). 2010. Devising in Process. Hampshire, UK. Palgrave Macmillan.
- Oddey, A. 1994. Devising Theatre. Oxon, UK. Routledge.
- Pearson, M. 2010. Site-Specific Performance. Hampshire, UK. Palgrave Macmillan.
- Quick, A (ed). 2007. The Wooster Group Work Book. Oxon, UK. Routledge.
- Swale, J. 2012. Drama Games for Devising. London, UK. Nick Hern Books.