Tadashi Suzuki – handy links and bits of info

The main purpose of my method is to uncover and bring to the surface the physically perceptive sensibility which actors had originally, before the theatre acquired its various codified performing styles, and to heighten their innate expressive abilities…

…Technically speaking, my method consists of training to learn to speak powerfully and with clear articulation, and also to learn to make the whole body speak, even when one keeps silent. It is thus that actors can learn the best way to exist on the stage. By applying this method, I want to make it possible for actors to develop their ability of physical expression and also to nourish a tenacity of concentration.

A Quote from here:http://www.blesok.com.mk/tekst.asp?lang=eng&tekst=484#.UoDfZo0inW8

http://prezi.com/edqccdhhrtnm/tadashi-suzukis-actor-training-technique/

http://www.hsc.csu.edu.au/drama/hsc/studies/topics/3265/suzuki.htm

A book: http://www.amazon.com/The-Way-Acting-Theatre-Writings/dp/0930452569

Great book with a DVD – http://www.amazon.co.uk/dp/140811643X/ref=rdr_ext_tmb

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About La (Paula) Mor

La (Paula) Mór is a theatre teacher and director. She has taught and directed in the UK and internationally for 20+ years, both at Secondary and University level. La is currently working on Jeju Island in South Korea at Branksome Hall Asia where she develops original, contemporary theatre with her students and continues research into the applications of the Viewpoints in Theatre Education. La has been trained in Anne Bogart's 9 Viewpoints by SITI Theatre Company and Zen Zen Zo and delivers international Viewpoints training to young people, undergraduates, performers and lecturers. Academic background: BA(Hons) Bristol University; PGCE Leeds University; MA Applied Theatre, Central School of Speech and Drama.

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