‘…the most influential and consistently interesting theatre company working in Britain.’ The Times
Watch their live stream here: http://www.complicite.org/live-stream.php
Their YouTube channel
Their resources (includes ‘Notes on Devising’)
See their ‘manifesto‘ here (they haven’t got one).
There is no Complicite method — what is essential is collaboration, and a turbulent forward momentum…
The Eighth Story.
Nineteen years later.
Based on an original new story by J.K. Rowling, Jack Thorne and John Tiffany, Harry Potter and the Cursed Child, a new play by Jack Thorne will receive its world premiere in London’s West End at the Palace Theatre this summer.
Jamie Parker, Noma Dumezweni and Paul Thornley will lead the cast as Harry, Hermione and Ron, as part of a 42 strong Company.
Written by Jack Thorne and directed by Olivier and Tony award winner John Tiffany, Harry Potter and the Cursed Child is the eighth story in the Harry Potter series and the first official Harry Potter story to be presented on stage, bringing together some of the most exciting talent working in the theatre today.
One of my all time favourite actors: Noma Dumezweni. She gave one of the best performances I have ever seen in Kay Adshed’s ‘The Bogus Woman’. Would love to get a chance to see this show.
…between the British-funded razor-wire fences on one side and the French riot police on the other, these two governments have turned the Jungle into a vacuum of their own moral authority. The only thing currently filling that vacuum are the volunteer organisations that have popped up, at the heart of which sits the theatre. For many of the camp’s residents, Good Chance may be the only chance they have.
A great article discussing the efficacy of contemporary applied theatre practice – well actually it reads more like an advert…but still – VERY interesting
What is the Jungle: The jungle’ is the name of an ad hoc encampment of about 6,000 people who have made trans-continental journeys from their home country for a wide array of reasons. There are people here from countries all across the Middle East and Africa, including Sudan, Syria, Iran, Iraq, Afghanistan, Kuwait, Morocco, Egypt, Eritrea, Pakistan, Bangladesh and Nigeria and more. There are many languages spoken in the camp, and many cultures, situations and stories present.
What is Good Chance Calais?
Our aim is to provide a safe, warm and welcoming space for people to express themselves and their situations in the Jungle in Calais.
We have been up and running since October 29th and will stay for as long as the space is needed by the people here.
We work hard to deliver a full and surprising programme of theatre, art and music events, and are planning residencies by visiting companies from around the world all through winter.
We believe expression is a basic human right for all. In a situation as terrible as this, it is essential.
CAN’T WAIT to listen to this show
They will be live streaming #TheEncounter from Barbican Centre on Tuesday 1 March 7.30pm to YouTube.
Watch from the comfort of your own home by subscribing to our YouTube Channel here: http://bit.ly/1OZZklg
“Inspired by Petru Popescu’s book Amazon Beaming, based on McIntyre’s experiences, McBurney’s piece is a Chinese whisper of a show from a far-distant world that is delivered straight into the audience’s head using binaural technology and headphones. Its intimacy is both an astonishment, and at times, a challenge.” http://www.theguardian.com/stage/2015/aug/09/the-encounter-edinburgh-festival-review-simon-mcburney
Beautiful article on some of the exquisite designs by Tom Scutt
“I don’t create design for design’s sake, but to make a piece of theatre – to conjure something into being.”
“I generally read a play through once at the beginning, and then not again until quite late in the design process.
‘Images and ideas land in the mind,’ says theatre designer Tom Scutt. ‘Sometimes an image is hard to shake, and the job is to work out why it’s there.’
Techniques such as light or pixel mapping are all the rage – see The Curious Incident of the Dog in the Night-Time https://www.youtube.com/watch?v=RYDFdY3IZBM
Basic tutorial https://www.youtube.com/watch?v=8OZckTeq_HY
Some useful examples here: http://www.lightjams.com/pixelMapping.html
How does pixel mapping work?
Pixel Mapping isn’t projecting media content using a projector and firing it from the lighting console. The main brief of mapping is to turn your array of “simple” fixtures into a giant telly. The “screen” doesn’t have to be rectangular or even one complete surface – using pixel mapping, you could create some great effects with a long single strip of RGB LEDS or play a huge image across a number of different elements.
The pixel mapper treats each fixture as an individual pixel and sends the correct information (usually colour and intensity) to the array: http://www.onstagelighting.co.uk/lighting-equipment/stage-lighting-control/guide-to-pixel-mapping/ This article also explains how you can pixel map on a budget.
See this blog for a response to a recent symposium: https://pitchblacklighting.wordpress.com/2016/01/13/light-mapping/ #lightmapping
For all his later fame as the creepy Severus Snape in the Harry Potter movies, Alan Rickman was very much a man of the theatre…[I]f ever an actor looked back in languor, it was Rickman. http://www.theguardian.com/stage/2016/jan/14/alan-rickman-actor-severus-snape-harry-potter-liaisons-dangereuses-death-rsc