Little Bulb

Little Bulb Theatre is an award-winning national touring company based in the South East of England. We are committed to developing devised and physical theatre performances which explore and illuminate minute human details that, in a world so big, are easily swallowed up.  Combining innovative character work, beautiful imagery and exciting homemade music, we aspire to create performances that with humour and sadness will touch, startle and entertain. http://www.littlebulbtheatre.com/

http://www.youtube.com/user/littlebulbtheatre?feature=watch

Drama what urgy?

Reblogged from The IB Theatre Reading Room:

Prep for the RI

Was Artaud a bit Jacobean? I think so.

The-Changeling-Young-Vic-681x1024Thinking about Artaud and one of my favourite plays The Changeling…

The Theatre of Cruelty’s advantage as a stylistic genre is that it allows pre-existing existing plays to be considered in a new, and often more challenging, context, none more so than the sell-out production of The Changeling at the Young Vic theatre in 2012. This Jacobean tragedy is known as an example of the struggle against the patriarchal domination of the seventeenth century, but its latest performance – brain child of Joe Hill-Gibbins, the Deputy Artistic Director of the Young Vic– takes on a much more Artaudian persona, allowing the production to become the centre of a bone-chilling exposé of mental illness and life in an asylum. This emphasis on the subplot about “madmen and fools” is almost too close to Artaud, who spent most of his later life in asylums, suffering from undiagnosed schizophrenia. http://www.nouse.co.uk/2013/03/05/the-movements-the-theatre-of-cruelty/

http://fromthecomfortofyourticket.wordpress.com/2012/11/25/review-the-changeling-young-vic/

http://www.telegraph.co.uk/culture/theatre/theatre-reviews/9707945/The-Changeling-Young-Vic-London-review.html

 

Thinking about your RI – thought about Cabaret??? (& Brecht of course)

Lisa Appignanesi presents the cultural history of cabaret. Cabaret found joyful expression in Berlin in the 1920s and ’30s but its roots go back to Chat Noir in Paris in the 1880s. Lisa Appignanesi is a writer and critic whose books include The Cabaret. Includes Q&A.

https://soundcloud.com/southbankcentre/lisa-appignanesi-cabaret-talk

http://www.kwf.org/kurt-weill/weill-works/132-n4main